Rare Earth/China, 2019
Rare Earth/China, 2019

Archival digital print, vintage “oriental” wall paper, gold leaf, plexiglass, Flashé “Oriental Red paint, Behr Caicos Turquoise paint, Behr “100MPH” paint, Steurt Sample-98.9% Black paint and gesso/pine support.

48”H x 271/4”W x 1”D.

Rare Earth Africa, 2019
Rare Earth Africa, 2019

Archival digital print, LACMA Damask red flocked wall paper re-imaged as archival digital print/w Flashé “Oriental Red paint, gold leaf, Black Wild Poppies-Stacy Garcia wall paper, Omexico- Jazz 302 wallpaper, plexiglass, Behr “No More Drama” paint, printed fabric and gesso/pine support

48”H x 271/4”W x 1”D.

Rare Earth/USA, 2019
Rare Earth/USA, 2019

Archival digital print, gold wall paper, gold leaf, plexiglass, Behr Caicos Turquoise paint, Behr “No More Drama” paint, printed fabric, printed vinyl “oil cloth” and gesso/pine support

48”H x 271/4”W x 1”D.

Reflection
Reflection

Steel, painted and gold-leafed plywood, JFK figure, chinese female figure, ecliptic glass, 57’’ x 24’’ x 10½’’, 2010

UNQ
UNQ

1992, Steel, imaged glass, aluminum, copper, lead, chalkboard paint, found objects, motor, 36” x 39” x 11½” 

1992_2005.jpg
Vision
Vision

Steel, birch, plywood, playing cards, 70” x 24” x ¾”, 1993

No Place to Hide
No Place to Hide

Aluminum, mirror, motor, pine, silver leaf, trophy parts, digital print, 95” x 40” x 20”, 1994-2014

Scintillation
Scintillation

Steel, copper, painted plywood, charcoal, blue glass crystal, 57”H x 57”W x 8”D, 2010

 

Doak'sDream_2010.jpg
Nagasaki
Nagasaki

Steel, imaged glass, aluminum, copper, chalkboard paint, found objects, motor, 36” x 39” x 11½”, 1992 

Ojato
Ojato

Steel, aluminum, glass, copper, brass, chalkboard paint, 1992-94 
On an isolated airfield in Monument Valley, Utah during WWII, scientists working on the Manhattan project were flown in to inspect uranium deposits mined by Navajo Indian workers. At my last visit to the site in 2011, faded and tattered decals and signs in German remain - a reminder that many German Jewish scientists were expatriated before and after the war to work on the atom bomb development.

 

1956 Portrait
1956 Portrait

1998-2008, Found objects, steel, copper, brass, paper globes, wax, Plexiglas and glass, 11’-7” H x 6’-3” D  

This self portrait of sorts–constructed over a ten year period–is a collection of objects and iconographic symbols that transform and coalesce into a layered read open to personal translation.

1956 Portrait (detail)
1956 Portrait (detail)

1998-2008, Found objects, steel, copper, brass, paper globes, wax, Plexiglas and glass, 11’-7” H x 6’-3” D  

1956 Portrait (detail)
1956 Portrait (detail)
Doomsday_Clock_Ply.jpg
Doomsday-Clock.jpg
Observer
Observer

Steel, glass, aluminum, copper, lead, clock motor, gold leaf, 40” x 56” x 8½”, 1994-1995
Doctor Davis Bradley was a radiological monitor with the American task force that made the Bikini atomic bomb tests in 1946, one year after the end of WWII. Flying over the test site at Bikini Atoll, Bradley wrote later in his book, “No Place To Hide”, his observations of the world below.

'WS-1171'_1996.jpg
Current
Current

48” dia. x 18”H, etched glass, steel, floats, 2012
Current  incorporates fishing floats and navigational imagery within a steel and glass ring, a sort of floating world. The fishing floats arrived on our own beaches from across the Pacific following the currents that deliver an onslaught of tidal trash that threatens the health of the water and its inhabitants. The floats serve as planetary stand-ins and evoke a celestial orbiting that is at once contained and random. They are circling the drain of man’s continual pressure on the balance of nature for our oceans and seas.

Current
Current
Current (detail)
Current (detail)
Syncretism
Syncretism

Steel, copper, imaged glass, aluminum, lodestone, pyrite, iron filings, compasses, 42.25”H x 32”W x 32”D, 1990

 

Syncretism (detail)
Syncretism (detail)

Steel, copper, imaged glass, aluminum, lodestone, pyrite, iron filings, compasses, 42.25”H x 32”W x 32”D, 1990

Ecliptic_Ring.jpg
Fear-God_side_04.jpg
Big Flame
Big Flame

Pine, paint, 64½” x 25 x 5½”, 1988 
One evening while working in the studio, the twilight was suddenly lit up with a bright orange glow. I rushed to my second story deck to witness a mushroom-like cloud of smoke and fire rising hundreds of feet in the air from a nearby refinery. It was a sobering reminder of the hazards of living in an urban port environment. Though a millionth the power of an atomic blast it conveyed the feeling of an attack – this was more than 10 years before 9/11.

Lonely-Time-Plan_front.jpg
lonely-Time-Plan_back.jpg
Green Rorschach
Green Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

 

Red Rorschach
Red Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

Blue Rorschach
Blue Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

Yellow Rorschach
Yellow Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

Imperial Globe (side one)
Imperial Globe (side one)

World globe (altered), steel, plywood, found objects, resin, raw pigment, 16”H x 13”W x 13”D, 2009/2010

Imperial Globe (side two)
Imperial Globe (side two)

World globe (altered), steel, plywood, found objects, resin, raw pigment, 16”H x 13”W x 13”D, 2009/2010

Fear-God_2005.jpg
J.R.O. Gita
J.R.O. Gita

World globe (altered), steel, gold leaf, frames sections, high density foam, 21.5”H x 18”W x 18”D, 2010

 

 

Fear-God_detail_2004.jpg
Orion_Down_Under2005.jpg
PinHead_2004.jpg
Mexican-Door-Dreams_1976.jpg
Small-Hill-Cut_1976.jpg
Mexico
Mexico

Corrugated board, twigs, glass, graphite, 4 1/2' x 10', 1974

Dry Heat, Ion Breeze
Dry Heat, Ion Breeze

Wood, roofing paper, corrugated steel, twigs, 1978

 

Rare Earth/China, 2019
Rare Earth Africa, 2019
Rare Earth/USA, 2019
Reflection
UNQ
1992_2005.jpg
Vision
No Place to Hide
Scintillation
Doak'sDream_2010.jpg
Nagasaki
Ojato
1956 Portrait
1956 Portrait (detail)
1956 Portrait (detail)
Doomsday_Clock_Ply.jpg
Doomsday-Clock.jpg
Observer
'WS-1171'_1996.jpg
Current
Current
Current (detail)
Syncretism
Syncretism (detail)
Ecliptic_Ring.jpg
Fear-God_side_04.jpg
Big Flame
Lonely-Time-Plan_front.jpg
lonely-Time-Plan_back.jpg
Green Rorschach
Red Rorschach
Blue Rorschach
Yellow Rorschach
Imperial Globe (side one)
Imperial Globe (side two)
Fear-God_2005.jpg
J.R.O. Gita
Fear-God_detail_2004.jpg
Orion_Down_Under2005.jpg
PinHead_2004.jpg
Mexican-Door-Dreams_1976.jpg
Small-Hill-Cut_1976.jpg
Mexico
Dry Heat, Ion Breeze
Rare Earth/China, 2019

Archival digital print, vintage “oriental” wall paper, gold leaf, plexiglass, Flashé “Oriental Red paint, Behr Caicos Turquoise paint, Behr “100MPH” paint, Steurt Sample-98.9% Black paint and gesso/pine support.

48”H x 271/4”W x 1”D.

Rare Earth Africa, 2019

Archival digital print, LACMA Damask red flocked wall paper re-imaged as archival digital print/w Flashé “Oriental Red paint, gold leaf, Black Wild Poppies-Stacy Garcia wall paper, Omexico- Jazz 302 wallpaper, plexiglass, Behr “No More Drama” paint, printed fabric and gesso/pine support

48”H x 271/4”W x 1”D.

Rare Earth/USA, 2019

Archival digital print, gold wall paper, gold leaf, plexiglass, Behr Caicos Turquoise paint, Behr “No More Drama” paint, printed fabric, printed vinyl “oil cloth” and gesso/pine support

48”H x 271/4”W x 1”D.

Reflection

Steel, painted and gold-leafed plywood, JFK figure, chinese female figure, ecliptic glass, 57’’ x 24’’ x 10½’’, 2010

UNQ

1992, Steel, imaged glass, aluminum, copper, lead, chalkboard paint, found objects, motor, 36” x 39” x 11½” 

Vision

Steel, birch, plywood, playing cards, 70” x 24” x ¾”, 1993

No Place to Hide

Aluminum, mirror, motor, pine, silver leaf, trophy parts, digital print, 95” x 40” x 20”, 1994-2014

Scintillation

Steel, copper, painted plywood, charcoal, blue glass crystal, 57”H x 57”W x 8”D, 2010

 

Nagasaki

Steel, imaged glass, aluminum, copper, chalkboard paint, found objects, motor, 36” x 39” x 11½”, 1992 

Ojato

Steel, aluminum, glass, copper, brass, chalkboard paint, 1992-94 
On an isolated airfield in Monument Valley, Utah during WWII, scientists working on the Manhattan project were flown in to inspect uranium deposits mined by Navajo Indian workers. At my last visit to the site in 2011, faded and tattered decals and signs in German remain - a reminder that many German Jewish scientists were expatriated before and after the war to work on the atom bomb development.

 

1956 Portrait

1998-2008, Found objects, steel, copper, brass, paper globes, wax, Plexiglas and glass, 11’-7” H x 6’-3” D  

This self portrait of sorts–constructed over a ten year period–is a collection of objects and iconographic symbols that transform and coalesce into a layered read open to personal translation.

1956 Portrait (detail)

1998-2008, Found objects, steel, copper, brass, paper globes, wax, Plexiglas and glass, 11’-7” H x 6’-3” D  

1956 Portrait (detail)
Observer

Steel, glass, aluminum, copper, lead, clock motor, gold leaf, 40” x 56” x 8½”, 1994-1995
Doctor Davis Bradley was a radiological monitor with the American task force that made the Bikini atomic bomb tests in 1946, one year after the end of WWII. Flying over the test site at Bikini Atoll, Bradley wrote later in his book, “No Place To Hide”, his observations of the world below.

Current

48” dia. x 18”H, etched glass, steel, floats, 2012
Current  incorporates fishing floats and navigational imagery within a steel and glass ring, a sort of floating world. The fishing floats arrived on our own beaches from across the Pacific following the currents that deliver an onslaught of tidal trash that threatens the health of the water and its inhabitants. The floats serve as planetary stand-ins and evoke a celestial orbiting that is at once contained and random. They are circling the drain of man’s continual pressure on the balance of nature for our oceans and seas.

Current
Current (detail)
Syncretism

Steel, copper, imaged glass, aluminum, lodestone, pyrite, iron filings, compasses, 42.25”H x 32”W x 32”D, 1990

 

Syncretism (detail)

Steel, copper, imaged glass, aluminum, lodestone, pyrite, iron filings, compasses, 42.25”H x 32”W x 32”D, 1990

Big Flame

Pine, paint, 64½” x 25 x 5½”, 1988 
One evening while working in the studio, the twilight was suddenly lit up with a bright orange glow. I rushed to my second story deck to witness a mushroom-like cloud of smoke and fire rising hundreds of feet in the air from a nearby refinery. It was a sobering reminder of the hazards of living in an urban port environment. Though a millionth the power of an atomic blast it conveyed the feeling of an attack – this was more than 10 years before 9/11.

Green Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

 

Red Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

Blue Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

Yellow Rorschach

Aluminum, electrical apparatus, fluorescent tube, 64” x 10½” x 2”, 1995

Imperial Globe (side one)

World globe (altered), steel, plywood, found objects, resin, raw pigment, 16”H x 13”W x 13”D, 2009/2010

Imperial Globe (side two)

World globe (altered), steel, plywood, found objects, resin, raw pigment, 16”H x 13”W x 13”D, 2009/2010

J.R.O. Gita

World globe (altered), steel, gold leaf, frames sections, high density foam, 21.5”H x 18”W x 18”D, 2010

 

 

Mexico

Corrugated board, twigs, glass, graphite, 4 1/2' x 10', 1974

Dry Heat, Ion Breeze

Wood, roofing paper, corrugated steel, twigs, 1978

 

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