“Barrier of Broken Promises”, 1980
“Barrier of Broken Promises”, 1980

10-1/4”H x 32”W x 4”D

Pine, steel, found painted wood, lead

 “Barrier of Broken Promises”, 1980, SIDE TWO
“Barrier of Broken Promises”, 1980, SIDE TWO

Pine, steel, found painted wood, lead

“Chihuahua” (Four For Mexico), 1979
“Chihuahua” (Four For Mexico), 1979

Pine, Mexican tire detritus, auto glass shards, tar, red oxide powdered pigment and ultramarine blue concrete pigment

11-3/8” H x 72-3/4”W x 6”H

On a 1978 road/research trip to Mexico City and Cuernavaca with my wife Susan we collected roadside detritus. Tire tread discards worked their way into this piece. The top tread pays homage to how the material is transformed by necessity, invention and creativity in Mexico. Tire treads become shoes, building materials and creative features incorporated into roadside sculptures, signs, markers and art. In Mexico, tire tread is a valuable commodity where recycling and repurposing is a way of life.

“Chihuahua” (Four For Mexico), 1979, DETAIL
“Chihuahua” (Four For Mexico), 1979, DETAIL
Dry Heat, Ion Breeze
Dry Heat, Ion Breeze

Wood, roofing paper, corrugated steel, twigs, 1978

“Dry Heat Ion Wind”, 1978,  SIDE TWO
“Dry Heat Ion Wind”, 1978, SIDE TWO

Pine, eucalyptus, found wood siding, roofing felt, steel, tar

15-1/2” H x 80-3/4”W x 7-1/2”D

Artwork placed in Joshua Tree to weather, patina and catch desert detritus.

One of the four artworks exhibited at Los Angeles Municipal Art Gallery, Artists Investigate the Environment,1978.

“Dry Heat Ion Wind”, 1978, DETAIL
“Dry Heat Ion Wind”, 1978, DETAIL
“Horizon for HQ”, 1978
“Horizon for HQ”, 1978

Pine, Steel white cement w/bamboo leaves

9-1/2”H x 72-1/2”W x 6”D

“Horizon for HQ”, 1978, SIDE TWO
“Horizon for HQ”, 1978, SIDE TWO

Pine, Steel white cement w/bamboo leaves

9-1/2”H x 72-1/2”W x 6”D

“Horizon for HQ”, 1978
“Horizon for HQ”, 1978

DETAIL

“Long House” 1977 (Shortened10/7/2011)
“Long House” 1977 (Shortened10/7/2011)

Pine, lead, clay w/raffia

7-1/4H x 22”W x 4”D

“Time Line for Forgotten Ancestors”, 1978 (1/3)
“Time Line for Forgotten Ancestors”, 1978 (1/3)

Pine, steel, copper, bamboo, clay, cement, red oxide powdered pigment

and ultramarine blue concrete pigment

“Time Line for Forgotten Ancestors”, 1978, DETAIL
“Time Line for Forgotten Ancestors”, 1978, DETAIL

Pine, steel, copper, bamboo, clay, cement, red oxide powdered pigment and ultramarine blue concrete pigment

“Uruapan” (Four For Mexico), 1979
“Uruapan” (Four For Mexico), 1979

Pine, steel, copper, corrugated steel, bamboo, clay, raffia, found beer caps (collected @ Uruapan Park, Mexico), tar, red oxide powdered pigment and ultramartine blue concrete pigment.

11-3/4”H x 72”W x 6-1/8”D

The bottle caps were found embedded in hard packed soil where a drink/food stand stood.

A rough circular area where the portable stand occupied was free of caps. The density of the caps radiated out from this in area in decreasing density. The caps were worn smooth by wear, remnants of the brand revealed in the depressions of the dent made my the can opener. A social gathering place absent yet recording the social interaction of use and chance.

“Uruapan” (Four For Mexico), 1979 DETAIL
“Uruapan” (Four For Mexico), 1979 DETAIL
“Barrier of Broken Promises”, 1980
 “Barrier of Broken Promises”, 1980, SIDE TWO
“Chihuahua” (Four For Mexico), 1979
“Chihuahua” (Four For Mexico), 1979, DETAIL
Dry Heat, Ion Breeze
“Dry Heat Ion Wind”, 1978,  SIDE TWO
“Dry Heat Ion Wind”, 1978, DETAIL
“Horizon for HQ”, 1978
“Horizon for HQ”, 1978, SIDE TWO
“Horizon for HQ”, 1978
“Long House” 1977 (Shortened10/7/2011)
“Time Line for Forgotten Ancestors”, 1978 (1/3)
“Time Line for Forgotten Ancestors”, 1978, DETAIL
“Uruapan” (Four For Mexico), 1979
“Uruapan” (Four For Mexico), 1979 DETAIL
“Barrier of Broken Promises”, 1980

10-1/4”H x 32”W x 4”D

Pine, steel, found painted wood, lead

“Barrier of Broken Promises”, 1980, SIDE TWO

Pine, steel, found painted wood, lead

“Chihuahua” (Four For Mexico), 1979

Pine, Mexican tire detritus, auto glass shards, tar, red oxide powdered pigment and ultramarine blue concrete pigment

11-3/8” H x 72-3/4”W x 6”H

On a 1978 road/research trip to Mexico City and Cuernavaca with my wife Susan we collected roadside detritus. Tire tread discards worked their way into this piece. The top tread pays homage to how the material is transformed by necessity, invention and creativity in Mexico. Tire treads become shoes, building materials and creative features incorporated into roadside sculptures, signs, markers and art. In Mexico, tire tread is a valuable commodity where recycling and repurposing is a way of life.

“Chihuahua” (Four For Mexico), 1979, DETAIL
Dry Heat, Ion Breeze

Wood, roofing paper, corrugated steel, twigs, 1978

“Dry Heat Ion Wind”, 1978, SIDE TWO

Pine, eucalyptus, found wood siding, roofing felt, steel, tar

15-1/2” H x 80-3/4”W x 7-1/2”D

Artwork placed in Joshua Tree to weather, patina and catch desert detritus.

One of the four artworks exhibited at Los Angeles Municipal Art Gallery, Artists Investigate the Environment,1978.

“Dry Heat Ion Wind”, 1978, DETAIL
“Horizon for HQ”, 1978

Pine, Steel white cement w/bamboo leaves

9-1/2”H x 72-1/2”W x 6”D

“Horizon for HQ”, 1978, SIDE TWO

Pine, Steel white cement w/bamboo leaves

9-1/2”H x 72-1/2”W x 6”D

“Horizon for HQ”, 1978

DETAIL

“Long House” 1977 (Shortened10/7/2011)

Pine, lead, clay w/raffia

7-1/4H x 22”W x 4”D

“Time Line for Forgotten Ancestors”, 1978 (1/3)

Pine, steel, copper, bamboo, clay, cement, red oxide powdered pigment

and ultramarine blue concrete pigment

“Time Line for Forgotten Ancestors”, 1978, DETAIL

Pine, steel, copper, bamboo, clay, cement, red oxide powdered pigment and ultramarine blue concrete pigment

“Uruapan” (Four For Mexico), 1979

Pine, steel, copper, corrugated steel, bamboo, clay, raffia, found beer caps (collected @ Uruapan Park, Mexico), tar, red oxide powdered pigment and ultramartine blue concrete pigment.

11-3/4”H x 72”W x 6-1/8”D

The bottle caps were found embedded in hard packed soil where a drink/food stand stood.

A rough circular area where the portable stand occupied was free of caps. The density of the caps radiated out from this in area in decreasing density. The caps were worn smooth by wear, remnants of the brand revealed in the depressions of the dent made my the can opener. A social gathering place absent yet recording the social interaction of use and chance.

“Uruapan” (Four For Mexico), 1979 DETAIL
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